Six solo albums into a career that also includes numerous collaborations, her work as a member of Red Sparowes, Marriages and more, Emma Ruth Rundle has amassed one of the most impressive back catalogues of any current musician.
These Killing Times is another beguiling set of songs that run the gamut from dark to delicate, crushing to sombre, and feel far more dynamic than the raw minimalism of 2021’s Engine Of Hell. This may partially be due to the subject matter, with Emma looking more broadly at the current state of the world, rather than reflecting on her own personal journey.
Opener Powerless muses on her fears and disdain of those who govern us and is gorgeously melodic, but the deep, distorted guitars…
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Roger Clark Miller was guitarist/vocalist/co-leader in the highly influential post-punk band Mission of Burma. Their album Vs. was listed at number 19 in Pop Matters’ “50 Best Post-Punk Albums ever”, and number 24 in Rolling Stone’s “100 Greatest Punk Albums of All Time.” They even have a chapter dedicated to them in “Our Band Could be Your Life.”
He continued expanding his guitar skills after Burma on his Dream Interpretations for Solo Electric Guitar Ensemble album and through his current rock band Trinary System.
His new album, The Green Man, due late summer 2026 on Don Giovanni Records, sees him returning to slightly more traditional song-writing. As a solo singer/songwriter, the lyrics are prominent, supported by his unique guitar stylings.
The music of Dur-Dur Band captures the energy and optimism of 1980s Mogadishu. They were the prime exponents of a sound which blended Somali melodies with disco, funk, jazz, soul and reggae. As Dur-Dur translates as stream, all these elements could be compared to tributaries feeding into the smooth running of a larger river. It is this combination of local flavours and international influences that makes their music so appealing – refreshingly different while underpinned with familiarity and always eminently danceable. This latest compilation from Analog Africa follows on from the label’s 2018 release of the earlier parts of their catalogue, ‘Dur Dur of Somalia – Volume 1, Volume 2 and Previously Unreleased Tracks.’
Despite the joyful sound on these…
Memphis native, Kelly Hunt, sings with what Rolling Stone Country describes as “the lilting cadence of a folksinger born somewhere far away, sometime long ago.” Indeed there is a patina to her sound, especially when she opts for her Depression-era tenor banjo—a calf-skinned instrument whose origins supposedly date back to a man named Ira Tamm and his dog-and-pony show in the 20s and 30s. That mysterious banjo, with its warm, soulful sound, plays the starring role in her 2019 debut album, Even the Sparrow, which was a finalist for the International Folk Music Awards “Album of the Year.”
But while rooted deeply in traditional forms, Hunt crosses into markedly modern territory, hovering beyond the constraints of genre…
Two jazz titans conjure the golden spirit of two earlier jazz titans on 2026’s Dedicated to You. Recorded in honor of John Coltrane’s centennial celebration, the album finds saxophonist Branford Marsalis and vocalist Dianne Reeves sharing the spotlight, backed by Marsalis’ quartet with pianist Joey Calderazzo, bassist Eric Revis, and drummer Justin Faulkner. Together, they interpret songs from 1963’s John Coltrane and Johnny Hartman, a classic ballads album that paired the legendary saxophonist with the beloved singer. Here, they tackle all six tracks from that 1963 date, offering burnished readings of “Autumn Serenade,” “Lush Life,” and “They Say It’s Wonderful.” A long-avowed Coltrane acolyte, Marsalis is the perfect improviser for this project, but one who…
The legendary guitarist Robin Trower release his new album, Shine, via Provogue / Artone Label Group. Ask Robin Trower to explain his late-period creative burst and the legendary British guitarist can only shrug: “I think you’ve either got to keep pushing – or give up.”
Now 81, with a mythology that spans from the clubs of Swinging London, to Procol Harum, through 1974’s gold-selling Bridge Of Sighs and onward into a vital post-millennial solo catalogue, the veteran bluesman’s place amongst the all-time greats is beyond doubt.
Yet while his ’60s peers have long softened into greatest-hits autopilot, this restless artist still starts each morning the same way: stood in his workroom with a battle-scarred…
Since the early 2010s Lorely Rodriguez has cut a restless, inventive figure. She’s slipped from raucous pop to silkier sounds, explored her Honduran-American heritage and, on her last album, flipped the staple awards season phrase “for your consideration” into a full-frontal club-pop meditation on uneven relationships.
Her gorgeous fifth album makes a feature of this searching nature. Written after her family home burned down in the 2025 California wildfires, Dream House is about the rebuilding of that home – birdsong-dappled field recordings of its construction keep popping up – but also contemplates what it means to feel at home in yourself and with others.
For all the violent loss behind the record, it…
For music that is so unashamedly beautiful, there is something distinctly unnerving about The Meaning of Flowers, the fifth studio album from Danish singer-songwriter, instrumentalist, and producer Agnes Obel. The record, Obel’s first since 2020’s Myopia, reflects her experience of pregnancy and motherhood, with influences including Hannah Arendt, Danish pop music from the 1980s, and the soundtrack to Don’t Look Down.
So far, so human. But The Meaning of Flowers wraps a deep humanity in feelings that are simultaneously otherworldly and profoundly earthy. Like the work of Enya, Clannad, or even Deep Forest, The Meaning of Flowers feels older than time, like music that has been excavated from a cave, or perhaps beamed from the stars.
Ohio’s punk scene is well-known for many things: hyperactive egg punk, indignant hardcore, and every style of jangle pop you can think of, just to name a few. Trippy, motorik-heavy meditations, not so much. But as the saying goes, there are always exceptions that prove the rule.
Enter Cincinnati-based Dylan McCartney, who’s spent more than half a decade exploring the outer fringes of guitar music with his band The Drin, embracing everything from krautrock and dub to field recordings and found sounds. The man’s unstoppable creative drive, reinforced by economical songwriting and easy, effortless intra-band chemistry, garnered them a cult reputation that’s snowballed further in the wake of their breakout 2024 album, Elude the Torch.
Perennial may be the only punk trio with an organist instead of a bassist. You could call what they do — “Motown-via-Dischord,” their promotional material accurately christens it, with a third ingredient of ‘60s mod chic — a gimmick, except it’s too undeniable: Perennial fucking rock. You’ll know this from the moment their new album, Modernism, kicks in. A very quick feedback squall; a very quick intro riff (no time is ever wasted on a Perennial song); then the whole band, with a cocky, amped-up, swaggering riff. It’s instant electricity, pure adrenaline.
The ingredients for each song are straightforward and no-nonsense: an elastic, mod-rock riff smothered in pugilistic distortion; snare drum hits that may as well be gunshots; organ…
Haken underwent a sea change in January 2026 when guitarist Charlie Griffiths and bassist Conner Green left the band and formed metal band Tiktaalika. It forced them to regroup and reconsider where they’d been as both a band and as individuals. In a fever dream is a five-track EP created by the remaining quartet, with guest bassists Bryan Beller and Adam “Nolly” Getgood. As expected, the loss of a third of the lineup necessitated aesthetic as well as practical changes.
Haken’s trademark prog rock sound remains; this EP’s sonic profile is a close cousin to the albums Vector and Virus, with a more strident electronic backbone. That said, the music on offer here also sidles up closely to 21st century prog metal. It’s easy to hear that Haken…
The Homesick have never been a band particularly interested in standing still. This adventurous Dutch trio has spent its career twisting post-punk, krautrock, new wave and experimental pop into something restless, strange and frequently exhilarating. Curiosity is their compass, and convention has never been much of a concern.
Across several albums, The Homesick have repeatedly reinvented themselves – from the raw momentum of their debut Youth Hunt to the baroque eccentricity of The Big Exercise, their breakthrough released by Sub Pop. Their third, independently released self-titled album, recorded in the aftermath of the pandemic, stripped things back into a leaner, more pulsating form, while still retaining the band’s wonderfully eclectic DNA.
UK alt-folk group Stornoway release new album Beyonder. The band – from their name alone – have long had a debt to Scottish islands, to the experience of life on the fringes. New album ‘Beyonder’ takes this to an extreme, with the group’s Brian Briggs citing a revelatory experience on St Kilda as the root of their LP. The record contains a photo taken on St Kilda at its artwork. The most Westerly point of the British Isles, St Kilda’s human population abandoned the island in the 1930s, requesting to be evacuated to the mainland. An evocative and moving part of the country, the album helped unlock the album Brian Briggs has been “trying to write my whole life”.
He comments: Lying in bed in a stone blackhouse in St Kilda, being deafened…
German experimental ambient duo TROUM, active since the ’90s, return with EmphasYs. The album’s seven drone-oriented tracks result from an unconventional process in which each is structured around a single focal instrument. Nonetheless, the album maintains a unifying sound and feel.
These instruments are electric guitar, cello, accordion, didgeridoo, acoustic guitar, zither, and saxophone. They are used to generate texture and atmosphere rather than melody and harmony. Thus, their output is heavily processed and joined with that of synthesizers and a supporting cast of secondary sources.
While this processing can render the focal instruments largely obscured, some are readily apparent. These include the gritty cello…
…A major downtown transit hub, Chicago’s Union Station occupies an archaic building that is poorly designed, often crowded, and notoriously associated with delayed commuter trains. Sections of it are literally falling apart.
In May 2025, cellist Lia Kohl set up in Union Station’s Great Hall with nine other musicians from Chicago’s improvised / creative music scene for a free, 43-minute rush-hour set.
The instrumentation included cellos, bass clarinets, sax, trombones, tuba, and violin. The performance functions as a piece of sound art that combines slow-moving chamber music with the ambient noise of the space. Alongside strings, horns and reeds, one can hear voices, travelers walking by, luggage carts, and…

Half studio recordings and with side B taken from a live set at City Winery, this finds ’80s Hoboken contemporaries and longtime friends